2025 - 2026
        WINDOWS SCAFFOLDS AND VISIONS OF EXCESS    
        IN THE ROUND        
   
 2022 - 2024

THE SUNSHINE OF PARADISE ALLEY 2024


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IN THE ROUND explores illegibility and opacity as vehicles of eroticism, failure and rupture. Drawing on urban remains, theatrical ruin, and immaterial trace, the installation stages incoherence, approaching collapse. Objects lean, bind, interpenetrate, obstruct, support, and consume one another. Collapse, both materially and existentially, is reframed not as an end but as a condition foundational for intimacy, and beyond intimacy, gnosis.

In the logic of a city, meaning emerges associatively rather than linearly. Scattered fragments accumulate into an environment that oscillates between refuge and ruin, concealment and revelation, ultimately remaining unresolved. Irresoltion itself becomes a driving force, enacting the unknowing of gnosis through the collection and accumulation of intinsities that never climax.

The title IN THE ROUND refers simultaneously to theatrical staging, dimensional sculpture, two or more voices singing the exact same melody starting at different times, holes, public spectacle, exposure and enclosure. The round is also a ring, and an infinity. 

Special thanks to Errat, Cora, Beth and Joel for making Clubland possible with their love and support, and Chloe, Jesse, Sagan and Ethan for their labor in the work’s ideation, production and installation. 








The Peep-a-Live stage at the Pussycat on the corner of 49th and Broadway.